Analyse Neue Liebe Neues Leben

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Johann Wolfgang über Goethe - neue Liebe, neues geflügelt (Interpretation #204)
Georg Friedrich Kersting - Paar bei der Fenster (ca. 1833)

Gedicht: neue Liebe, neues roh (1775)

Autor/in
: Johann Wolfgang von GoetheEpoche: eilmeldung und Drang/ Geniezeit Strophen: 3, Verse: 24 Verse zum Strophe: 1-8, 2-8, 3-8
Herz, bergwerk Herz, was soll ns geben?
Was bedränget dich deshalb sehr?
Welch ein fremdes, neues Leben!
Ich erkenne sie nicht mehr.

Du schaust: Analyse neue liebe neues leben

Weg ist alles, was sie liebtest,
Weg, wieso den du freundin betrübtest,
Weg dein Fleiß und deine Ruh –
Ach, als kamst du anzeigen dazu!
Fesselt freundin die Jugendblüte,
Diese liebliche Gestalt,
Dieser blick voll Treu und Güte
Mit unendlicher Gewalt?
Will mir rasch mich ihr entziehen,
Mich ermannen, ihr entfliehen,
Führet mich innerhalb Augenblick,
Ach, mein Weg kommen sie ihr zurück.
Und an diesem Zauberfädchen,
Das sich nicht zerreißen lässt,
Hält ns liebe lose Mädchen
Mich so wider sehen fest;
Muss bei ihrem Zauberkreise
Leben nun auf ihre Weise.
Die Verändrung, ach, als groß!
Liebe! Liebe! lassen mich los!

Die Literaturepoche von Sturm und Drangs: Gegenbewegung hagen Teil das Aufklärung? diese und unterschiedlich spannende Fragen antwortete euch das Germanist Dr. Tobias Klein by Huhn meets Ei: Katholisch in Berlin im dialogs mit dem Podcaster wilhelm Arendt.
Georg Friedrich Kersting - pair at the window (ca. 1833)

Poem: neu Love, new Life (1775)

Author: Johann Wolfgang von GoetheEpoch: Storm und Stress/ Genius" period Stanzas: 3, Lines: 24 Lines von stanza: 1-8, 2-8, 3-8
Heart! mine heart! what method this feeling?
What oppresseth thee deshalb sore?
What strange life zu sein o"er me stealing!
I recognize thee no more.
Fled is all that provided thee gladness,
Fled ns cause of all thy sadness,
Fled her peace, thine industry%u2013
Ah, why experience it kommen sie be?
Say, do beauty"s graces youthful,
Does this form deshalb fair and bright,
Does this gaze, deswegen kind, dafür truthful,
Chain thee through unceasing might?
Would i tear me from herstellung boldly,
Courage take, und fly herstellung coldly,
Back kommen sie her. I"m forthwith led
By die path i seek zu tread.
By a thread i ne"er kann sein sever,
For "tis "twined v magic skill,
Doth ns cruel maid zum ever
Hold me schon fast against my will.
While those magic chain confine me,
To herstellung will ich must resign me.
Ah, die change in truth zu sein great!
Love! kind love! relax me straight!

Epoch: Storm und Stress/ Genius" Period

Begin von epoch 1767End des epoch 1785Links:
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Schiller ist reading from ns “Die Räuber” (The Robbers) in front von friends hinweisen a mystery place while die duke’s reavers are getting closer

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Absolutismus
Historical background
Politic und economyYearLinks
1648-1789

Author: Johann Wolfgang von Goethe

* 1749† 1832 (82 years)Links:
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Johann Wolfgang von Goethe in 1828, by a painting of joseph Karl Stieler

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The poem “Neue Liebe, neu Leben“ von Johann wolfgang Goethe, which was written in 1775, zu sein about Goethe’s love zum Lilli Schönemann, who constricts his freedom versus his will.

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The poem consists of three stanzas, every one zu sein composed von eight lines. It is made up von trochees with four stressed syllables. The first four lines space written an tail luck (abab), while die others are based on rhyming couplets. The first und third heat have got female cadences1 (two stressed syllables), the second and fourth heat have gott male cadences.

The zuerst stanza starts with two rhetorical questions an the zuerst two lines. The zuerst word “Herz” in line 1 currently suggests that die poem ist about love. The anaphora2 “was” as well as rhetorical questions, i beg your pardon constitute a parallelism, stress die poem’s subject. über means des the verb “bedrängen” (to problem sb.) in line 2 die author prominente the reality that ns narrator’s heart is not joyful. He straight addresses his heart, personifying it von asking it countless questions. A zuerst explanation weil das the state von his heart follows: “ein fremdes, neues ausgeforscht (line 3). Ns next line hülle emphasis on ns impression that his heart zu sein hassled, ns term ‘heart’ stands zum Goethe himself. Instead von asking these concerns his heart, he should ask castle himself. The fourth line “ich erkenne dich nicht mehr” underlines ns fact the there had been changes in his life, which led to troubles und repugnancy. Unlike die other currently (present tense), line 5 and 6 room written in the previous tense, they tun können be seen as flashbacks describing what ist gone due to the fact that he has met his new love: “alles warum du sie betrübtest” (line 6), namely every little thing that was a burden to him. However, so “Fleiß” und “Ruh” (line 7, diligence and rest) are gone. When taking a closer look at what actually has actually disappeared, it becomes obvious that all good und all bad (“liebtest” line 5, “betrübtest” heat 6) zu sein absent, all physical too as the feeling of rest und silence. The sigh “Ach” bei line 8 expresses Goethe’s regret around his losses. Die exclamation markierung turns die final line of the first stanza into in accusation: “Wie kommst du zeigen dazu!” (How challenge you!)

At this allude a brief digression i do not care necessary: Goethe met ns banker’s-daughter Lilli Schönemann the first time in Frankfurt bei 1775. Wie man they came to be engaged, he had zu face refusals by both families. It was a relationship beyond social borders, which quickly made Goethe feel restricted. ~ one year the engagement broke.

Line 5 und 7 tun können be verbunden to Goethe’s earlier life, i beg your pardon changed totally after his engagement. This engagement to a lady of top class so explains the for sturm und drang rather untypical regularity bei rhyme and metre.


In die second stanza Goethe blieb talks zu his heart. The verb “fesseln” (line 9) (to snackle) mirrors that his heart’s bindung to the beloved one zu sein overwhelming und superior. Over four lines a rhetorical question zu sein raised asking about die validity von this relationship, which seems zu make Goethe feel rather unsatisfied and unhappy. He names several possible reasons weil das his feelings: “Jugendblüte” (line 9), “liebliche Gestalt” and “Blick genug Treu und Güte” (line 11). These hopeful descriptions des Lilli space a contrast to ns expression “mit unendlicher gewalt gefesselt” (line 9 und 12) and form bei antithesis3. Herstellung flush von youth, her appearance and her glance space personifications4. Die anaphora “diese” (line 10f.) stress his feelings, too. Die infinite force with i m sorry his love is bond to Lilli ist expressed von means von a hyperbole5. Goethe seems to schutz no affect on this relationship, he even seems to not agree v it.

This hypothesis is deshalb supported von the complying with lines. In line 13 and 14 he defines how he has tried to stop this relationship. Die tricolon “entziehen”, “ermannen”, “entfliehen” (deprive, zu take courage, to escape) perfectly highlight this. However, every effort to stop this love makes er return kommen sie it: “im blinzelt <…> kommen sie ihr zurück” (line 15f.). Goethe’s sigh in line 16 hülle emphasis on the impression that he zu sein completely powerless and has no gelegenheit to escape.

This feeling des non-disengagement ist mentioned an the dritter stanza together well. Ns alliteration6 “wider Willen” (line 20) reflects that every this happens involuntary, it zu sein only hold über a “Zauberfädchen” (line 17) (a magic thread). Now the narrator sees ns abilities von Lilli together magic and curse at ns same time attributing them kommen sie supernatural forces. Produziert power zu sein only explained as a fine and thin thread, which, however, cannot tear. The mädchen just manages zu hold him, in accomplished man. This kann sein only happen von means of supernatural pressures as mentioned in line 21: “Zauberkreise”. The expression “muss” (have to) und “auf deine Weise” (according to produziert will) tension that the bond bolzen them happens there is no his agreement. That longs for the good alt times, as indicated über the sigh an line 23. The last line is composed of in anaphora “Liebe” and a plea: “Lass mich los” (let me go). This plea emphasises Goethe’s feelings and his regrets that he has kommen sie adjust himself.

Finally, the title of the city summarises its taste subjects. It is composed of in anaphora and in alliteration. A neu love also brings follow me a new life. It so requires adjustment. As already mentioned, this poem is untypical zum the literary period of ‘Sturm und Drang’. However, part characteristics of it rechts into this rebelling period: there are plenty of personifications and love ist depicted über images of natur (“Jugendblüte” heat 9). A an excellent number des dashes, commas, exclamation und question marks make the poem it seems to be ~ alive und dynamic. Die predominant egoism is a feature of ‘Sturm und Drang’ poetry, too. Goethe describes his very own dilemma, his performance together marionette in the hands of his superordinary beloved without ever before mentioning produziert feelings. Die use von female und male cadences emphasize his impression des missing freedom von movement together well. The rhyming couplets in the second und third stanza rechts to the use of cadences und to die stanzas’ contents. Zum the descriptions von his attempts to escape bei lines 13 und 14 female cadences room used, ns same an lines 21 and 22 when ns narrator speak about ns “Zauberkreise” the surrounds her.

Remarks und stylistic devices

1Cadence: describes the fall in pitch von the intonation of voice, 2 emphasize syllables: woman cadence, 1 emphasize syllable: male cadence
2Anaphora: repeating a indigenous or a sequence von words at die beginnings von sentences/verses. Example: foolish world! mad kings! mad composition!
3Antithesis: contrasting 2 terms or phrases v opposite meanings, typical zum the literary period Baroque.
4Personification: figure of speech that offers objects or animals human qualities. Personifications are often used an fables where pets act as humans. One more example: The stern danced playfully bei the moonlit skies (the stern cannot tanzen but they get human attributes).
5Hyperbole: exaggeration.

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6Alliteration: repetition des identical or comparable sounds at the beginning des a few succeeding word. Example: peter Piper choose a Peck des Pickled Peppers.

Grade: 12Mark: 13 pts. / A wonderful (-)

Topical classification Love/Relationship

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